It’s a day to be thankful for friends, family, and readers like you! Hope your holiday is fantastic.
With Love, The Girl
It’s a day to be thankful for friends, family, and readers like you! Hope your holiday is fantastic.
With Love, The Girl
Sunlight and Shadow by Cameron Dokey
When Mina was born to feuding parents, a deal was struck. She would live with her mother, queen of the night, until after her sixteenth birthday. But her father breaks the pact, setting in motion a dangerous series of events. To bring back her daughter, the queen enlists the help of a young determined prince armed with his wits and a magic flute. So begins Dokey’s masterful retelling of “The Magic Flute”.
A light read for fairytale lovers, this book is my version of comfort food. It has everything: humor, romance, an age-old prophecy. Not to mention the charming characters who adventure across each page with wit and tenacity. What’s not to love? Told in true yet original fairytale fashion, I was immediately drawn into Mina’s competing worlds, and after reading it once I was happy to return time and time again (I think the count is somewhere around five?). Sunlight and Shadow speaks to a storyteller heart.
Congratulations! You have created a masterful, swoon-worthy, fully embodied character who is ready to take on whatever fresh hell you can throw at them (because let’s be honest, driving a character up a tree and seeing how they’ll get themselves down is more fun than it probably should be). But wait! This magnificent hero is, alas, nameless, and it’s hard to sing heroic ballads when you don’t have something to call them.
Sweetest Name I Ever Heard
When considering names, the two most important characters are, naturally, the protagonist and antagonist. If working with a large cast though, it’s also worth thinking big picture. How does a collection of names sound and interact together on the page?
As a reader, I can get confused when too many characters have names that sound similar. This happens when the majority of names start with the same letter, have the same vowel pattern, or are too lengthy. If too many names are too long, it tires out my brain and I start filling in the names with white-noise. Not good, right?
I’m not saying we as writers should use every letter of the alphabet, or that we can’t use long names. But I find it helpful to think about the overall feel of the story when choosing names. It helps me to keep readers in mind as I sculpt the characters I want them to love.
A characters name should reflect the culture of the world they live in. Lately, I’ve done quite a bit of research in the name of, well, names. This is so my characters more accurately reflect the time periods they live in. In terms of fantasy and sci-fi genres, this part can be a little trickier, but it comes down to a matter of authenticity.
Take the show Stranger Things. It takes place in a small town in the 1980s, and follows four middle school boys named Will, Mike, Dustin, & Luke. Fitting, right? It creates expectations for the boundaries of their world, the type of story being told. But then there’s Eleven. She completely shifts the tone of the story. Her name solidifies her as something “strange”, something out of place, and the audience holds onto that sense of uncertainty for the remainder of the story.
Essentially, character names can add to the tone of the work. They can also reinforce the culture and setting. It may seem a subtle detail, but it really can work wonders in terms of creating a more believable world in the context of fiction.
Does the Name Make the Character?
A character’s name rarely makes or breaks a story, unless it’s a piece that relies heavily on symbolism. (You want to talk symbolic names, read Catch-22. Also, it’s a fantastic book, so you should really just read it anyway.) Recently, I’ve been more mindful about what exactly I’m looking for when researching names. So far, it’s helped me get a much better grasp on not only the fictional culture I created, but on the nature of my characters themselves. The truth is, trying to name a character based on a cool, underlying meaning isn’t always necessary. Sometimes, Doug is just Doug.
As much as it broke my heart, I recently forced myself to change the names of some of my main characters. It’s not that I didn’t like the names. I wanted a cohesive world for my characters to live in, and one way to do that is through names. While I’m not rolling out Marley and Holden‘s new digs just yet, I will say that changing their names has added an additional layer of believability to the world I built for them.
Question of the week: What are some of your favorite characters’ names?
The Curious Incident of the Dog in the Night-Time by Mark Haddon
When 15 year old Christopher Boone discovers his neighbor’s dog has been murdered, he decides to investigate. However, the investigation leads him to a secret within his own family. This life-changing discovery leaves Christopher unsure of who to trust, and so he embarks on a quest to find someone he can. To do so, he will have to venture into unfamiliar territory, relying solely on himself for the first time.
Incredibly sincere, Haddon’s explores the story of one determined boy and his family as they navigate life, loss, and autism. Told from Christopher’s point of view, I found the book insightful to the paradox of how complicated life can be, and how simple. Haddon’s poignant style made the book a fast-paced yet meaningful read. Warning: This is not a “feel good” book. But is it an incredibly compelling story, and I would recommend it for fans of adult realistic fiction.
If you’ve read my earlier post, Backstory Basics, then you know I’m a sucker for a good backstory. Welcome to part two. Backstory is a perfect way to reveal character, create suspense, and tie together events. But that begs the question, how much is too much backstory? How do you decide what’s important enough to put in the final product? Let’s discuss.
When backstory is used is just as important as what information is revealed, so info-drop wisely. Too soon and it might lower emotional impact or kill the element of surprise. Too late in the game and it may feel irrelevant or confusing. A character’s past is what made them who the reader loves (or loves to hate), and that makes their history beautiful. Let readers settle into a character and get to know them as they are before taking time out for a flashback.
Also consider how to go about info-dropping. The use of dialogue is an easy and subtle way to hint at backstory, but if you plan on showing rather than telling, it’s important to look at the how. Will you seamlessly weave childhood memories into narration, or cut away from the action the second after the gun fires? (Two books I love that do an outstanding job of building momentum through backstory are Scott Lynch’s The Lies of Locke Lamora and Leigh Bardugo’s Six of Crows.)
Over the last few months I have gotten back to writing my novel in-progress. I thought it was done and ready for the editing stages, but after two rounds of editing I realized it didn’t have quite the right emotional punch. My problem? Too little backstory, too late.
Don’t Be a Drama Queen
Be a queen bee. Be a dancing queen. DON’T be a drama queen (guilty as charged). Unfortunately, I have a bad habit of this when it comes to wrangling up a powerful backstory. Let me explain. When I say I love backstory, I usually mean the dark, heart-wrenching, So That’s Why You’re a Douche Canoe kind. Basically, I focus on villains, like my novel’s main man, Rumpelstiltskin. But not every piece of character history needs to be gritty and life-altering, and actually, it shouldn’t be.
To create a realistic character we as writers must look at them from every angle. So by all means, reveal the tragic past, but don’t forget to make them human. Unless your character is a straight up psychopath, there’s going to be something that makes them smile besides dastardly deeds. Even an antagonist has a fondest memory, a favorite joke, a personal quirk. Maybe the guy likes puns. Whatever it is, remember not all backstory has to be drama-filled. Small moments matter too.
Love it or Leave it
It’s the moment of truth. You have created THE ultimate character history, from his first steps to this exact moment. So, how much do you keep? What’s most important? I’m of the writerly persuasion who sometimes ends up with enough backstory to warrant a whole freaking prequel, but I don’t want to write a prequel, so instead I have to go panning for gold.
First look for the pieces you love most. If you’re not ecstatic about your work, then readers won’t be either. If the parts you love most are irrelevant, try to revise it in a way that includes the information your readers need. If all else fails, keep what you created and recycle it for another character, another story. We’re writers, after all. Artists and wordsmiths! There are always more stories to tell.
Question of the Week: What’s you’re favorite kind of backstory?
The Lies of Locke Lamora by Scott Lynch
You’ll never see him coming. If you do, he planned it that way. Enter Locke Lamora, the Thorn of Cammor and leader of The Gentlemen Bastards. A small operation, Locke and his crew execute intricate capers to steal from Cammor’s high class. But when a faceless man dubbed the Gray King appears in the city and begins murdering gang leaders, no one is safe, and for the first time Locke finds himself out foxed, caught up in a deadly game more complex than any con before.
The Gentlemen Bastards are everything you could want from a mischievous band of thieves. Lynch’s use of backstory reveals just enough at just the right moment, propelling the novel forward with page-turning anticipation. Enticed by a trail of delightful revelations, I found myself grinning along on more than one occasion. It’s a long book, but well worth the commitment. I recommend it for lovers of dark fantasy, complex characters, and clever writing.
Catch-22 by Joseph Heller
Welcome to the 256th Squadron of the Twenty-Seventh Air Force, where nothing’s more relative than sanity. As World War II draws to a close, Captain Yossarian and his squad are subjected to the whims of Colonel Cathcart, who continues to increase their number of dangerous missions in pursuit of becoming a general. Yossarian is determined to survive the war and has set to work on being discharged on grounds of insanity . But how do you prove your crazy when everyone else is just as insane, and the sane ones are considered even crazier?
Told from the alternating perspectives of an extraordinary and unforgettable cast, I absolutely fell in love with this book. It’s smart, funny, and still undoubtedly relevant to today’s climate. Amidst the darkness of war, Heller finds a way to bring humor through satirical paradoxes and irony while making a powerful statement on the consequences of war and mishandled authority. As for those characters I mentioned? Phenomenal. Whether you love to love them, or love to hate them, it’s nearly impossible not to grow attached to the crazy bunch of soldiers that make up the 256th, from conman-cook Milo to painfully average Major Major Major Major. I recommend Catch-22 to anyone loves classic, poignant satire.
The Night Circus by Erin Morgenstern
Raised among backstage curtains by her ruthless father, illusionist Celia is trained to compete in an age old rivalry. Her grooming leads her to Cirque de Rêves, a massive and fantastical undertaking like the world has never seen. As strategies unfold and terrible secrets are revealed, Celia and her opponent begin to realize they are competing for more than victory–they are competing for their lives.
Ladies and gentlemen, my favorite book, The Night Circus. Nothing prepared me for the absolute marvels inside the iron gates of Cirque de Rêves. Gorgeously written characters from all flocks of life capture the imagination, ignite the wonderment of childhood, and make a home in the heart. But amidst the magic are deeply human struggles. Hunger for power, unrequited love, and sacrifices for the sake of success. I smiled, I cried, and I fell in love with everything about Morgenstern’s magical circus world. Without question, I would recommend making The Night Circus your next read.